Yep, you read it right. I will be the first one to lay into Cuba when he's cooning it up with drivel such as Snow Dogs, Boat Trip, and Daddy Day Camp. Horrible! But when he's doing drama? Not so much.
I started this blog because of the film "Shadowboxer" (I reviewed it HERE-my very first post, and with zero comments!), and despite what most folks say, I saw what he was trying to do in it. His performance was understated, thought provoking, and powerful--which is extremely hard to do when you barely say 2 words for most of the movie. We all know he was great in Boyz N' The Hood, a dramatic role that was his break-out.
Now I came upon a film called "Linewatch", which I posted about a year ago, and thought would be a feature film, but seems to have ended up in the DVD bin. It co-stars Sharon Leal and Evan "La Michael" Ross. It is about a border patrolman (Gooding), who leads a quiet, non-consequential existence in a non-descript small bordertown. His life is turned upside down when his former shady "associates" show up to ask for a favor.
To say more than that would reveal spoilers, and I want you guys to rent it. It may start off a bit slow for some, but it gets progressively better as the movie goes on and more is revealed. Cuba doesn't say much in this film either, but all of his emotions--anger, pain, frustration, compassion, all show on his face plainly, and in a way most actors would be lucky to do. It is hard to imagine him after viewing this in his cooning roles, just as it's hard to imagine him in a film like "Linewatch" when he's cooning. How does he do that? Hopefully I wasn't just sucked in, cause my favorite genre is action/suspense thrillers, and it really was a Saturday afternoon movie, which is when I watched it. I say rent it, and watch it on a lazy Saturday or Sunday afternoon.
Which brings me to my next point; do some movies seem better when we watch them at home?
I am not a big fan of going to the theater. At all. Unless it is for a film festival or an advanced movie preview, as the audiences there are pretty intent on being there just to watch and be quiet, and are pretty well behaved. At a general theater however, there are folks talking over the movie (sometimes yelling), kicking the back of your chair, showing up all kinds of late and blocking the screen, and sometimes sounding like a small zoo with all of the crunching, slurping, and everything else that goes along with eating a bunch of overpriced garbage from the snack bar. It is also sometimes as cold a a frozen tundra, with the AC on full blast--not to mention spending $10 for a matinee, and $13/14 dollars for a night show (at least in my neck of the woods--no dollar theaters here!)
At home you can fully focus on the movie, and depending on who you like to spend your time with, will probably have none of the distractions of the theater going experience. Does that absence of annoyance and grouchiness make us more generous to the film we are watching?
Case in point Linewatch, and two other non-Black films I saw over the past few days; "Burn After Reading" and "Ghost Rider" (yeah I know I'm late). Despite what the critics say (I am barely listening to them at all anymore) I thoroughly enjoyed all of them, and recommend that you see them too, if you haven't already. Burn After Reading is a study that so-called "smart" people can be just as dumb as "dumb" people, and that most folks are living their lives purely based on how the world affects them, and only them. It also shows that a little paranoia can go a looooong way (is that a Cohen Brothers political analogy?). Ghost Rider was just pure dumb, exhilarating comic book fun, if you are willing to leave all of your expectations at the door. And I have always loved Nicholas Cage.
Would I feel the same way if I saw any of these movies at the theater? When I think about it, to be honest, probably not--but see them anyway!
Here is the trailer for "Linewatch":
Sunday, October 26, 2008
In Defense Of Cuba Gooding....
Posted by
Invisible Woman
at
10/26/2008
15
comments
Labels: Cuba Gooding, reviews
Wednesday, January 2, 2008
Today In B'Days
January 2nd must be the sacred holy all saints day of cornballs......


CG: I know! But - no. Because if that was the case I would've said yes to all these things. I passed on Ray, I passed on the Louis Armstrong story they wanted to do.
No Louis? That sounds like a good one.
CG: It's gotta be the right script. I read the script and it wasn't really about anything. The other one that I was attached to for ever and I didn't even know I was attached to it was a film about Otis Redding. Oh my goodness. People were like, "Hey, you doing Otis Redding?" I was like no! No! That happened for a few years, but it finally went away. I mean, if I'm gonna do that, I want to do Bob Marley. Or Sly and the Family Stone. I wanna do a way-out character.


Posted by
Invisible Woman
at
1/02/2008
13
comments
Labels: corntastic, Cuba Gooding, happy birthday
Wednesday, December 26, 2007
Top 10 Worst Black Films Of 2007
Cuba Gooding. A script even Eddie Murphy wouldn't touch. An already worn to death premise. 'Nuff said. Here is some New York guido with a clip called "What's Going On Cuba?" The ish is low budget and unscripted, but dude is funny as hayell and completely on point:

What can I say about this movie that hasn't already been said? It came from the "Our Stories" production company that is supposed to be our savior, and make "wholesome, family oriented films that are a reflection of us and our community" (their words). If this movie is a reflection of us, we might as well pack it in right now. The fact that this film, after all of it's extensive hype, only made $2.9 million in it's opening weekend spoke volumes. Here is a clip of some of the actors and Tracey Edmonds talking about some of the scenes like this crapfest was "Goodfellas" or something---SMH. At the end, Tracey says "This summer, there is nothing like our film coming out". Truer words were never spoken.
Posted by
Invisible Woman
at
12/26/2007
31
comments
Labels: bootleg, chris rock, chris tucker, common, coontastic, Cuba Gooding, Eddie Murphy, halle berry, ice cube, nuclear bombs, oh my damn, over it, thanks hollywood, top ten black films, vivica fox
Saturday, December 15, 2007
WOW!!!
On the heels of announcing that Keke Palmer has been cast as rapper Roxanne Shante in the upcoming film on the Juice Crew called 'The Vapors', blackfilm.com is reporting that the following have also been cast for various roles. Cuba Gooding Jr. will be playing Marley Marl, rapper-actor David Banner will play the part of Biz Markie, Evan Ross will play MC Shan, Jackie Long as Big Daddy Kane, and Idris Elba as Tyrone Williams aka Fly Ty.

Posted by
Invisible Woman
at
12/15/2007
7
comments
Labels: coming attractions, Cuba Gooding, new york love
Thursday, October 18, 2007
The Other Heroin Dealer....
Posted by
Invisible Woman
at
10/18/2007
5
comments
Labels: Cuba Gooding, denzel washington, interesting
Saturday, October 13, 2007
Black Hollywood Bringing You The Word....
Posted by
Invisible Woman
at
10/13/2007
5
comments
Labels: angela bassett, common, Cuba Gooding, denzel washington, meagan good, samuel jackson
Monday, August 13, 2007
Damn.
A loooong way from those Eddie Murphy/"Daddy Daycare" films, eh, Cuba? Hopefully this will make you sit down and actually read your scripts before doing them.
Posted by
Invisible Woman
at
8/13/2007
0
comments
Labels: Cuba Gooding, nuclear bombs
Thursday, August 9, 2007
Oh My Damn.
Posted by
Invisible Woman
at
8/09/2007
11
comments
Labels: Cuba Gooding, shenanigans
Tuesday, July 31, 2007
An Open Letter To Cuba Gooding
Posted by
Invisible Woman
at
7/31/2007
16
comments
Labels: Cuba Gooding, open letters
Tuesday, July 17, 2007
La Michael is La Zesty....
Posted by
Invisible Woman
at
7/17/2007
1 comments
Labels: coming attractions, Cuba Gooding, zesty
Saturday, June 2, 2007
My Honorary First Posting Goes To........."Shadowboxer"
It is the tale of 2 hired hit people, Cuba Gooding and Helen Mirren (?!) that also happen to be lovers, that also happen to be mother and step-son. They are hired to kill the wife of a nut ball mob boss (Stephen Dorff, who actually does the hiring) and the body guards that are protecting her. While spraying the guards goes smoothly, Helen Mirren, about to kill the wife, discovers that she is in the last stages of pregnancy as her water breaks as she is about to shoot. Helen promptly delivers the baby on the bed, and decides to save them, perhaps trying to atone for the fact that she has made a career of killing and is dying of cancer. Cuba, who also shadowboxes as a hobby, all the while gives his intense silent disapproval during the course of events. All of this by the way, happens in the first 15 minutes of the film and are not spoilers.
What happens next is a journey of major proportions for Cuba, Helen, and the mob wife. I have to say, with as many films as I have seen, some of the imagery is quite fascinating. To see a 38 year old Cuba (who in this movie has a body of total chiseled perfection) naked and having soft core sex in the open woods with a sixtyish Helen Mirren is.....how shall we say......wow.
Sure the story is a bit far fetched (most films these days are), but I think it was this image of the violation of the sacred alter of St. Mirren of England that was this film's undoing, and caused the critics to tear it to shreds. They, should we say, were just not ready. In a world of big screen television remakes and threequels (i.e. Spiderman 3, Shrek 3, and Pirates of the Caribbean 3, all of which I have absolutely no desire to see) it is obvious that Hollywood is completely and utterly creatively bankrupt. If anything, it should welcome a film of formerly unseen imagery and viewer challenges, like water to a thirsty man in the desert. Macy Gray has a role as the wife's best friend, and steals every scene she's in. It is also the first time I have gotten into a performance by Cuba since.....well....ever. It is actually very nuanced, powerful, and affecting. But, dear reader, it is a perfect example of how far we still have to go in Hollywood, and the reason for the existence of this very blog; to point these things out to you.
This film is a first time direction for Lee Daniels, who produced "Monster's Ball" and the seriously criminally overlooked and ignored "The Woodsman". BTW, "The Woodsman" and "Shadowboxer" were also produced by Damon Dash, former cohort of Jay-Z. Who woulda thunk? All due props to Lee Daniels, but honestly, bro, what's up with the hair?



Posted by
Invisible Woman
at
6/02/2007
6
comments
Labels: crazy critics, Cuba Gooding, lee daniels, overlooked


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